overview
tours
kerbs
related
Guides:
Intellectual
Property
Taxation
related
Notes:
Begging
Droit de
Suite
Collectibles,
Prices,
Cultures
|
tours
This page considers the 'big end' of busking, ie performance
by major commercial artists (often with tours on a global
basis).
It covers -
The following page considers 'kerbside' busking, ie performance
by people who do not have the commercial profile of their
better-known peers and who typically do not rely on agencies.
studies
Background literature on media and entertainment economics
includes Creative Industries: Contracts between Art
and Commerce (Cambridge: Harvard Uni Press 2000)
by Richard Caves, Entertainment Industry Economics
(Cambridge: Cambridge Uni Press 1998) by Harold Vogel.
Studies include 'Rockonomics: The Economics of Popular
Music' (NBER Working Paper W11282, 2005 (here))
by Marie Connolly & Alan Krueger, Hamlen, 'Superstardom
in Popular Music: Empirical Evidence' by William Hamlen
in 73(4) Review of Economics and Statistics (1991)
729-733 and Krueger's 2004 'The Economics of Real Superstars:
The Market for Rock Concerts in the Material World (Princeton
Working Papers 863) (PDF)
or 'The Economics of Real Superstars: The Market for Concerts
in the Material World' in 23(1) Journal of Labor Economics
(2004) 1-30.
next page (kerbs)
|
|
Ketupa